Schiffli fabric in Pakistan holds a distinctive place among the diverse range of textiles produced in the country, Pakistan's textile industry is globally recognized for its rich history, intricate craftsmanship, and premium quality fabrics. Known for its delicate embroidery and luxurious texture, Schiffli fabric has become a staple in Pakistan's fashion landscape, especially in women’s formal and semi-formal wear.
Schiffli fabric is created through a special type of embroidery machine known as a 'Schiffli machine', which originated in Switzerland in the 19th century. The fabric is characterized by its detailed, lace-like patterns often embroidered onto cotton, lawn, or chiffon. The word 'Schiffli' itself means 'little boat' in Swiss -German, referencing the boat-shaped shuttle used in traditional machines.
This fabric is celebrated for its intricate, repetitive patterns, cutwork, and refined finish. In Pakistan, Schiffli embroidery is often paired with lightweight, breathable fabrics, making it perfect for the country's climate and cultural attire.
In Pakistan, Schiffli embroidery is commonly referred to by the local name Chikan, which is a machine-embroidered fabric. It should not be confused with Chikankari, a traditional form of hand embroidery with ancient roots.
The term 'Chikankari' has Persian origins, believed to be derived from the word 'Chakeen' or 'Chikaan' meaning embroidery, referring to fine or delicate patterns on fabric. The art form was introduced to the subcontinent by Persian artisans, particularly through Zoroastrian Gara embroidery. It flourished during the Mughal era, when emperors brought this intricate craft to the region. As a result, Chikankari has been practiced across the subcontinent, including areas that now form modern-day Pakistan.
The word 'Chikan', in Persian, itself is said to mean embroidery mostly floral, while 'Kari' translates to crafting or workmanship, indicating the floral craftsmanship that defines this embroidery style.
To clarify:
Both styles often feature floral motifs and are executed on similar lightweight fabrics, but the technique, effort, and pricing are notably different. In the Pakistani context, Chikan has become synonymous with modern-day Schiffli embroidery, making it a fashion staple especially in summer and festive collections.
What truly sets Schiffli fabric apart in Pakistan is the immense contribution of women—from artisans to entrepreneurs. Women across Pakistan, particularly in Punjab and Sindh, have historically contributed to embroidery arts, passing down skills across generations.
In rural regions, many women operate home-based embroidery units or work in small community collectives, applying Schiffli embroidery to fabric that is then sold to designers or fashion retailers. These efforts are not just artistic but also economic, as many women support their families through this skill.
Schiffli work has become a means of empowerment for countless women, giving them both financial independence and a platform for creative expression. While some work in workshops or as part of organized training centers, others start home-run boutiques or sell through social media, creating a space for small-scale entrepreneurship.
While large names dominate mainstream fashion, an entire layer of Schiffli’s story is shaped by lesser-known women quietly revolutionizing the market with their needlework and design sense.
Artisans in areas like Multan, Bahawalpur, and rural Sindh have honed their skills over decades. These women craft intricate motifs using Schiffli machines or refine machine work by adding finishing touches by hand.
In urban areas, design school graduates are launching micro-brands that focus on local embroidery with a modern twist. Many of these women operate online stores on platforms like Instagram and Daraz, where Schiffli kurtis, two-piece suits, and festive dupattas are among the bestsellers.
These emerging female designers are reclaiming craft, not just as fashion, but as a celebration of tradition. Their use of Schiffli fabric often draws on classical motifs, cultural narratives, and seasonal inspirations, creating a living dialogue between tradition and trend.
Schiffli’s appeal to women is deeply tied to its soft, feminine aesthetic. Light, breathable, and intricately patterned, it is ideal for the Pakistani climate. Floral and paisley motifs dominate, resonating with the cultural palette of elegance and modesty.
Schiffli is commonly used in:
Whether styled minimally or layered with gota, sequins, or pearls, Schiffli allows for versatility. Its elegance makes it ideal for both working women and homemakers, fashionistas and minimalists alike.
Various NGOs and vocational centers like the 'The Hunar Foundation' and 'Behbud' offer embroidery training for underprivileged women, helping them acquire skills and access income opportunities. Some also teach digital design techniques that can be used for programming Schiffli machines—giving women access not only to tradition but also technology.
As sustainable fashion gains momentum, many of these women entrepreneurs are shifting toward eco-conscious practices. Some now offer Schiffli on organic cotton or natural-dyed fabrics, while others reuse scraps to create accessories like embroidered bags or scarves.
Schiffli fabric in Pakistan is more than just a fashion trend—it is a living narrative of women's creativity, resilience, and economic contribution. While the fabric itself whispers elegance through its fine threads, it shouts loudly of the hands behind it—hands that craft, sustain, and innovate.
From the embroidery looms of rural Sindh to the digital boutiques of Lahore, women are keeping the tradition of Chikan and Chikankari alive and evolving. Schiffli remains a symbol of Pakistani femininity: delicate yet enduring, timeless yet ever-changing.
Whether you're dressing for Eid, a wedding, or simply elevating your everyday style, Schiffli fabric is a classic choice that speaks volumes about heritage, identity, and womanhood.